Notes related to Curatorial Projects

The board of La Biennale di Venezia appointed Koyo Kouoh as Director of the Visual Arts Department, with the specific task of curating the 61st International Art Exhibition to be held in 2026.

Cecilia Lenardón's Special Project at Pinta BAphoto, curated by Irene Gelfman, presents an installation that pushes the representation of the body through photography to the limit, transforming the static image into a living and performative experience. Entitled Cuatro piezas clave (Four Key Pieces), the work invites us to reflect on the body's boundaries and its capacity to tolerate effort and repetition.

Pinta BAphoto –the most important photography fair in the region– presents as a new feature the RADAR section, curated by Sebastián Vidal Mackinson. In an interview with Arte al Día, Sebastián reflects on the diversity of approaches in photography today and its growth as a medium capable of dialoguing with other forms of artistic expression.

After six years of his collaboration as a teacher in the Master's Degree in Curatorial Studies offered by the Museo Universidad de Navarra (MUN), Gabriel Pérez-Barreriro has been appointed as the institution's new artistic director. With extensive experience in university museums and other centers in Europe, the United States and Latin America, he is now the new head of the MUN's artistic strategy together with Teresa Lasheras, artistic director of performing arts and music.

Energy Fields: Vibrations of The Pacific is an exhibition, publication, and series of public programs co-presented by Fulcrum Arts and Chapman University. Curated by Robert Takahashi Novak and Lawrence English, the exhibition presents a diverse and dynamic collection of works from artists working such as Alba Triana, David Haines and Joyce Hinterding, Steve Roden, Malena Szlam and Virginia Katz.

apexart is soliciting idea-based group exhibition proposals for its NYC open call October 1–31, 2024. Five winning proposals will receive up to a 10,000 USD exhibition budget and become apexart exhibitions at the NYC space as part of the 2025–26 exhibition season. Curators, artists, writers, and creative individuals, regardless of experience level or location, are invited to submit a proposal online.

The third edition of Pinta Sud | ASU featured for the first time the Young Curators Program, under the leadership of Adriana Almada. In a conversation with Arte al Día, the two selected participants -Majo Fiorio and Luis Ocampos Pompa- shared their experience throughout the process.

History forms an invisible rhythm, resounding in the background of visual stories. Listen carefully and the past will also reveal its intrinsic connection with the future. “Which of these two constructs is the driving force, and which sets the tone of the current moment?” asks "The Fragility of the Ancestral Time," a group exhibition first shown at Casa Velazquez in Santo Domingo and now on view at the Avèle gallery in Cap Cana. Bordering on philosophical treatises, the exhibition provides great aesthetic pleasures.

Tania Pardo (Madrid, Spain, 1976) is the new Director of the Museo Centro de Arte Dos de Mayo (CA2M Museum), the museum of contemporary art of the Community of Madrid. Pardo's career until her recent appointment has been built on a detailed work of promotion and visibility of emerging art through the curatorial actions she has developed in numerous Spanish institutions.

Pies bajo fuego: sobre el espejo (Feet under fire: on the mirror) is the two-part exhibition at MAC Panama. Curated by Miguel A. López, it explores the multivalent notion of dispossession and its forms of representation through a group of video works from the last decade.

HELICONIA PROJECTS presents The Fragility of Ancestral Time, a group exhibition of four international artists: Francisca Sosa López, Clara de Tezanos, Cecilia Fiona, and Olamide Ogunade.

ARCOmadrid is being held until Sunday, March 10, and presented its Lexus Award for Best Stand to the Argentinean gallery W-Gallery. In addition, the galleries Remota and Piedras won the X Opening Award, which recognizes the best stand in that section.

Delfina Foundation presented de montañas submarinas el fuego hace islas (from the underwater mountains fire makes islands), an exhibition exploring the intersection of imagination and emancipation.

Open Call for the position of Director at Auto Italia, a non-profit contemporary art institution at London, UK, dedicated to researching, producing and exhibiting work on the intersections of queer studies and social change. Deadline to apply: March 4^th, 2024.

Argentine multidisciplinary artist Adriana Bustos presents her site-specific project entitled Genealogy of a Collection conceived for Viceversa, an exhibition project celebrating the 60th anniversary of the Museo de Arte Moderno de Bogotá (MAMBO).

Presented at Tai Kwun Contemporary, Green Snake: women-centred ecologies gather more than 60 works—16 of them new commissions—from 30 artists and collectives in an exhibition that draws on mythologies and world views with women at their heart to explore possibilities for other ecological relationships.

Kunstinstituut Melly presented My Oma, a project that involves a group exhibition, concerts, performance, public programs and education activities. Conceptually interlaced throughout these formats are the figure of the grandmother, queries on ancestral knowledge, and ideas of cultural heritage.

KADIST San Francisco and Delfina Foundation presented iterations of de montañas submarinas el fuego hace islas (from the underwater mountains fire makes islands).

Independent Curators International (ICI) is now accepting applications for the 2024 Curatorial Research Fellowships.

MIAMI

As part of the curatorial proposal of Pinta Miami 2023, there are five Special Projects to honor different artistic identities.

MIAMI

Curated by Giuliana Vidarte and Irene Gelfman, the NEXT and RADAR sections of Pinta Miami 2023 provide a space for dialogue, encounter, expansion and dissemination of artists.

MIAMI

Giuliana Vidarte is a curator, art historian and teacher. Her work focuses on the rewriting of history from the perspective of the discourse of the Peruvian Amazon. In an interview with Arte al Día, she talks about her career and how she developed the curatorial proposal for the NEXT section for Pinta Miami 2023.

MIAMI

Vital and veiled: Valerie Brathwaite and José Gabriel Fernández is ISLAA Artist Seminar Initiative exhibition at the University Galleries of the University of Florida. Curated by Jesús Fuenmayor and Kaira Cabañas.

El Dorado: Myths of Gold is an extensively researched, impeccably installed exhibition featuring one-hundred objects and artworks from the Pre-Columbian period to the 21^st century by sixty artists.

MIAMI

Amazonia is a Pinta Miami project curated by Félix Suazo that proposes a visual expedition through the Amazon, crossing countries, cultures and ecological identities. As a Special Project, Amazonia emphasizes Pinta's commitment as an international platform for Latin American art.

The fifth edition of the Kyiv Biennial is taking place across Europe: in Kyiv, Ivano-Frankivsk, Uzhhorod, Berlin, Vienna as the main exhibition venue, and Warsaw.

apexart is accepting proposals for its NYC Open Call from October 1-31, 2023. Five winning proposals will become exhibitions presented at apexart as part of the 2024–25 exhibition season. Curators, artists, writers, and creative individuals, regardless of location or past experience, are invited to submit a proposal.

From September 28 to October 1, 2023, the 19th edition of Pinta BAphoto will take place at La Rural, Pavilion 8. With EFG Wealth Management as Main Sponsor, BAphoto is the only art fair specialized in photography in Latin America. Tickets are available for Friday, September 29, Saturday, September 30, and Sunday, October 1, at Ticketek.

Art Jameel, an organization that supports artists and creative communities, launches an international open call for early career curators to submit exhibition proposals developed for Hayy Jameel’s museum space –Hayy Arts– in Jeddah for a May 2024 opening.

Aimé Iglesias Lukin is an art historian and curator. Born and raised in Buenos Aires, she has been living in New York since 2011. She earned her PhD in art history from Rutgers University with a dissertation titled "This Must Be the Place: Latin American Artists in New York 1965–1975," which became an exhibition at Americas Society in 2021. Her writings have been featured at international conferences and published by prestigious museums and academic journals, including the New Museum, the Museum of Modern Art, and the Guggenheim Museum.